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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso)
John Flaxman
1792
Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
1899
A Collection of Portraits, Sketched from the Life Since the Year 1793...and engraved in imitation of original drawings, vol. 1
William Daniell
1809
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman
1805
Compositions of the "Acts of Mercy"
John Flaxman
1831
Doctor William Buchan
British, Etruria, Staffordshire
late 18th century
Compositions Tirées des Ouvrages, des Jours, et de la Théogonie d'Hésiode, dessinées par Jean Flaxman, R.A.P.S.
John Flaxman
1818 (?)
"Sacred to Bacchus" wine ewer
Josiah Wedgwood and Sons
ca. 1785–90
The Iliad and the Odyssey
John Flaxman
1834
The Fine Arts of the English School
John Britton
1812
La Divina Commedia di Dante Alighieri, Cioe l'Inferno, il Purgatorio, ed il Paradiso
Dante Alighieri
1802
Scrapbook titled: "H. Holbein's Jewelery"
John Bridge
1780–1850
Achilles and the Shade of Patroclus
John Flaxman
1793
Design for a Frieze, after a Roman Sarcophagus: The First Visit of Bacchus to Ariadne
John Flaxman
late 18th–early 19th century
Two-handled vase with maidens from the "Dancing Hours"
Wedgwood and Bentley
ca. 1776–80
Theocrites Cup
John Flaxman
18th–19th century
Compositions from the Tragedies of Aeschylus
John Flaxman
1795
Spy or opera glass
Josiah Wedgwood
late 18th century
Anatomical Studies of the Bones and Muscles for the Use of the Artists
John Flaxman
1833
Two male classical figures with three horses (design for large fireplace white tiles produced in Wedgwood's factory)
John Flaxman
19th century
Sir Joseph Banks
Josiah Wedgwood
18th century
Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Dante Alighieri
1807
Lamp
British, Etruria, Staffordshire
ca. 1780–1800
Cup
British, Etruria, Staffordshire
ca. 1782–1800
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
John Flaxman
1793
Two Helmetted Putti, on Seated on a Drum, the Other on Canonballs, Woman in Classical Dress Carrying a Miltary Trophy Accompanied by a Third Helmeted Putto
John Flaxman
18th–19th century
Prince of Wales, later George IV (1762–1830)
British, Etruria, Staffordshire
late 18th century
Minerva receiving Holy Roman Emperor Francis II (1768–1835) (r. 1792–1804), afterwards Emperor Francis I of Austria, (r. 1804–35)
British, Etruria, Staffordshire
ca. 1792
Carolus Linneaus
Josiah Wedgwood
ca. 1779
Augustus, Viscount Keppel
British, Etruria, Staffordshire
ca. 1780
Sugar bowl with cover
Josiah Wedgwood and Sons
18th century
Design for large fireplace white tiles produced in Wedgwood's factory
John Flaxman
19th century
Cameo medallion
British, Etruria, Staffordshire
ca. 1789
Sketch for the Title-Page of an Edition of Aeschylus
John Flaxman
1793
Compositions from the Tragedies of Aeschylus
Aeschylus
1831
Tragedy Placing the Wreath on John Kemble, On His Retiring from the Stage
John Flaxman
18th–19th century
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory and Paradise with quotations from the Italian and translations from the version of the Reverend H. Boyd
John Flaxman
1807
Anatomical Studies of the Bones & Muscles for the use of artists from drawings by the late John Flaxman, esq. R.A.
William Robertson
1833
Jupiter Fighting the Giants
John Flaxman
1780–1850